Tuesday, October 27, 2009


Robert E. Peary, arctic explorer

The Geographical North Pole is the point in the northern hemisphere that intercepts the axis of the earth's rotation. A few hundred miles away is the relatively quickly drifting Magnetic North Pole, the point where the earth’s magnetic field, generated by an electric current through the outer molten core, points vertically downward. The earth’s magnetic field is indirectly visible in the north when solar wind -- a stream of electrons and protons from the sun -- collides with oxygen and nitrogen atoms in the earth’s atmosphere. Energy is released as photons of light, emitting spectacular sheets of green, red and orange called aurora borealis or the northern lights.

Like plant life above the treeline of a mountain, plant life above the treeline in the Arctic is relatively unproductive. The Arctic Tundra and Polar Deserts constitute limited solar radiation, extreme seasonal light/dark cycles, freezing temperatures, strong winds, and permanently frozen subsoils (permafrost). The fact that plant life survives at all is remarkable. Interestingly, most of the species are actually perinneals, and late spring, early summer flower blooms are reportedly stunning.

Animals in the north are similarly remarkable, and beautiful, with physical and behavioral characteristics that help them survive. Polar Bear fur is made up of translucent, hollow hairs that function as excellent insulators, and they stereotypically choose denning locations that minimize wind exposure. The desolation of the land is proportionate to the beauty of life there: Massive herds of caribou, coming together for the spring and fall migration, resemble a blanket of "smoke" across the open landscape.

Indigenous cultures have managed to live in the north for thousands of years. Indiginous people are keen observers, able to identify the constitution of a distant place by its reflection on overlying clouds. Their hunting methods mirror those of animals and their languages distinguish dozens of forms of sea ice. Early European expeditions to the North were so poorly served by their own winter clothing provisions, that resourceful captains ordered their entire crew to wear eskimo clothing. Including Robert E. Peary (above) who was the first to reach the Geographical North Pole in 1909.

Monday, October 26, 2009

The Wreck of Hope


Das Eismeer (1823–1824)
by Caspar David Friedrich
Oil on canvas
38 x 49.9 in

Saturday, October 10, 2009

Banks Island

Thomsen River, Banks Island


One evening while I was at work in Seattle, the light outside was striking, so I took a break and went up to the roof to look out over the city. It was a clear day, and I could see some mountains in the distance – Mt. Baker to the North and the Olympics to the West. What a beautiful place! I look to these landscapes with a desire to be in them. Living here, they are a constant reminder of the wilderness that looms beyond human drama.

To some people these mountain vistas are simply images on the horizon, rendered two-dimensional by the distortion of distance. While others, through direct experience, have a richer sensory appreciation. The view additionally stimulates their tactile, aural and olfactory imagination, engendering a deeper feeling of actually being there. This enlivened experience of the land comes as a certain liability for people trying to document a place they have never been because it biases their observations towards more familiar places.

The farthest north I have been is the Yukon Territories, Canada, above the 60th parallel. I have never seen the Arctic Tundra, where there are few trees and extreme seasons. My imagination can only extrapolate to places I know. Hence, all filming will be preceded by extensive fresh observation utilizing all senses. This brings a certain sense of humility in approaching the topic. Hopefully the freshness will be an asset:

“A man in Anaktuvik Pass, in response to a question about what he did when he visited a new place, said to me, “I listen.” That’s all. I listen, he meant, to what the land is saying. I walk around in it and strain my senses in appreciation of it for a long time before I, myself, ever speak a word. Entered in such a respectful manner, he believed, the land would open to him … The physical landscape is an unstructured abode of space and time and is not entirely fathomable; but this does not necessarily put us at a disadvantage in seeking to know it. Believing them to be fundamentally mysterious in their form and color, in the varieties of life inherent in them, in the tactile qualities of their soils, the sound of the violent fall of rain upon them, the smell of their buds – believing landscapes to be mysterious aggregations, it becomes easier to approach them.”
-Arctic Dreams by Barry Lopez

One location I am interested in is Banks Island. For the film, approaching a single island frees me from the overwhelmingly broad focus of “The Far Northern Landscape,” while achieving the same thematic goals through representation rather than inclusion. Banks is very large, with diverse Arctic landscapes – polar desserts and fertile river valleys. There is a small Inuvialuit town at the Southwest, a National Park at the Northeast and two Migratory Bird Sanctuaries East and North. I can only dream of spending time in these places with a video camera and audio recorder, weaving a story of the land that starts with my senses of touch and smell.





Banks is located in Northwest Territories, Canada, as part of the Canadian Archipelago, a group of islands formed by tectonic activity, not glaciers. It is 236 miles long and 180 miles wide, amongst the largest islands in the world. The features of the land include flat barren expanses, rolling hills, and river valleys, such as the Thomsen River in the Northeast. From mid-November until late January, Banks is shrouded by darkness, and from early May until early August it is illuminated by constant sun. In the Summer, the temperatures are in the 30s and 40s F and in the Winter they are in the negative 20s F. It is extremely dry, a polar desert, with an average monthly precipitation of 0.4 inches.

There are no trees on the island. The growing season is too short. The tallest plant, the willow bush, generally grows no taller than 4 inches. Three fourths of the world's Muskoxen live on the island. Peary and Barren-ground Caribou, and Polar Bears are also among the larger wildlife. There are many birds, including two thirds of the world’s population of lesser snow geese, which migrates through the farmlands of the Midwest during the approaching winter. The first Grizzly-Polar Bear hybrid was found on Banks Island in 2006.



Banks is home to 114 people. That is 1 person for every 237 square miles. These permanent residents live in the town of Sachs Harbor (Ikhuak).

Aulavik National Park contains a huge expanse of land at the northern end of the island, including the Thomsen River, which concentrates most of the animals and plants and is the northernmost navigable river.




References
1. ‘Banks Island’ and associated links on Wikipedia
2. Climate. http://www.climate-charts.com/Locations/c/CN71051025036500.php
3. Parks Canada. http://www.pc.gc.ca/eng/pn-np/nt/aulavik/index.aspx
4. How to get there. http://www.pc.gc.ca/eng/pn-np/nt/aulavik/visit/visit1.aspx#map1
5. Kayak outfitter. http://www.legendaryex.com/expeditions/list/banks-island.html
6. Aulavik National Park Birds. http://www.taiga.net/reports/aulavikbirds/index.html
7. Time Magazine article from 1932. http://www.time.com/time/magazine/article/0,9171,744508-1,00.html
8. Sachs Harbor Facebook group - comments mostly about the weather and community events. http://www.facebook.com/group.php?gid=27939250405

Thursday, October 1, 2009

God is Light


The Icebergs (1861)
by Frederic Edwin Church
Oil on canvas
6 x 10 ft

Thursday, September 17, 2009

Big Land













Dawn of an Idea (of North)

Here I will announce simple progress on a new film about landscape and solitude in Far Northern Canada, inspired by Glenn Gould's radio piece "The Idea of North". Last summer, I packed my bag and took a trip with my partner Christina to see the Northern Canadian Landscape firsthand. I left my HD camera behind to allow for more authentic first impressions (not cognitively linked to the impulse to shoot). Nevertheless, I did decide to take up still photography. Check back soon to see some of the shots.